My hair is naturally wavy but it's really poofy and frizzy. I have long-ish sideswept bangs. I normally just straighten my hair but I've gotten sick and bored of it. Are there any hair products or techniques I can use to get loose, carefree, sexy beach wave hair?
Best answer:
Answer by sunflower77 I have the same problem so I went and bought the Tresemme for curly hair..buy all the products for curly hair and you'll be fixed up in no time. Peace out
I know for a fact my friend has been having sex at school, what should I do?
She's been having sex with her boyfriend down in the hall, which is pretty quiet, in some dark passageway...I don't really know the details of the location, but she says no one will find out. I'm scared a teacher will find out though, seeing as there's a PE staffroom nearby. Should I just keep out of it?
Best answer:
Answer by Peter Pry Yes, keep out of it. It's none of your business.
Pictures from Lifeâs Other Side by Jim McBride USA, 1971, 45 minutes, digital projection The third film of McBrideâs âdocumentaryâ trilogy, Pictures follows Jim and Clarissa in a journey across the U.S., waiting for a baby and looking for a place to settle. Crude, witty or plain scenes of everyday life compose a moving portrait of early-70s America â" an uncharted country, a generation with no direction home.
My Girlfriendâs Wedding by Jim McBride 1969, 60 minutes, digital projection A fascinating profile of McBrideâs English girlfriend, Clarissa Ainley. With his camera almost entirely trained on her, McBride explores Clarissaâs life and loves, her feelings about her parents and children, and documents her greencard marriage to a man she has only known for a week. However, as the film progresses, the most revealing truths are about the person behind the camera. Originally intended as a short, itâs a fascinating record of a turbulent time, and highlights the subjective nature of the filmmaking process. âAt the time I made it, I was fond of referring to it as a fiction film, because it was very much my personal idea of what Clarissa was like, and not at all an objective or truthful view.â â"J.M.
Jed Rapfogel is an Associate Editor at Cineaste Magazine and a Film Programmer at Anthology Film Archives.
Dan Sallitt is a filmmaker and film writer living in New York. He was the film critic for the Los Angeles Reader, and his writings have appeared in the Chicago Reader, Slate, Wide Angle, Senses of Cinema, and other venues. His movies include Honeymoon (1998) and All the Ships at Sea (2004). He blogs at Thanks for the Use of the Hall.
January 15th: Cineaste Magazine: Jim McBrideâs Pictures from Lifeâs Other Side & My Girlfriendâs Wedding
Pictures from Lifeâs Other Side by Jim McBride USA, 1971, 45 minutes, digital projection The third film of McBrideâs âdocumentaryâ trilogy, Pictures follows Jim and Clarissa in a journey across the U.S., waiting for a baby and looking for a place to settle. Crude, witty or plain scenes of everyday life compose a moving portrait of early-70s America â" an uncharted country, a generation with no direction home.
My Girlfriendâs Wedding by Jim McBride 1969, 60 minutes, digital projection A fascinating profile of McBrideâs English girlfriend, Clarissa Ainley. With his camera almost entirely trained on her, McBride explores Clarissaâs life and loves, her feelings about her parents and children, and documents her greencard marriage to a man she has only known for a week. However, as the film progresses, the most revealing truths are about the person behind the camera. Originally intended as a short, itâs a fascinating record of a turbulent time, and highlights the subjective nature of the filmmaking process. âAt the time I made it, I was fond of referring to it as a fiction film, because it was very much my personal idea of what Clarissa was like, and not at all an objective or truthful view.â â"J.M.
Jed Rapfogel is an Associate Editor at Cineaste Magazine and a Film Programmer at Anthology Film Archives.
Dan Sallitt is a filmmaker and film writer living in New York. He was the film critic for the Los Angeles Reader, and his writings have appeared in the Chicago Reader, Slate, Wide Angle, Senses of Cinema, and other venues. His movies include Honeymoon (1998) and All the Ships at Sea (2004). He blogs at Thanks for the Use of the Hall.